Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour. This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation. The use of his mother's maiden name as part of it seems both a release and a lifeline.A stroke of very good fortune arrived with his novel The Beetle published in 1897. Shortly thereafter the name 'Richard Marsh' began to appear in the literary periodicals. Extraos Eones, was integrated into the first contemporary novel catalog of Editorial Valdemar, dean in horror narrative in Spanish, making him the only. In order to be well away from the scandal and damage this had caused to his reputation Heldmann adopted a pseudonym on his release from jail. Cover of the book Extraos Eones by Emilio Bueso, Valdemar 2014. In April 1884 He was sentenced to 18 months hard labour. The Throne of Caos by Santiago Caruso / Ink & scratch on plastered paper / 2014. It appears Heldman was prone to issuing forged cheques to finance his lifestyle. In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883. By his early 20's Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content. «Now that Stephen King is increasingly falling prey to PC blandness, Bueso has decided to seize the burning fuse and blow the world to pieces.Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London. He captivates and wins over the most demanding of readers. «A hard-hitting style that goes straight for the jugular. Each new novel is a not-to-be-missed delight.» Carlos Ferrán, Crónicas literarias «No one understands fantasy/horror/action quite like Bueso. He is also a brave writer, who sees each new book as a fresh challenge.» Sergi Viciana, Fantífica Ha ganado el premio Domingo Santos de relato en 2009 y el premio NOCTE de relato en 2011 con El hombre revenido. Su narrativa breve la compil en Ahora intenta dormir (Valdemar, 2015).

«One of the finest writers working in Spanish today, able to bend words to his will. 2012), Esta noche arder el cielo (Salto de pgina, 2013), Extraos Eones (Valdemar, 2014) y en este ao 2017 Transcrepuescular (Gigamesh). The hopes of Spanish fantasy and horror fiction rest on Bueso.» Miguel Barrero, Qué Leer Testifying once again to the author’s knack of creating claustrophobic atmospheres. «Written in his trademark, robust style, always finding the perfect turn of phrase, the mot juste and the adjective that cuts to the core.

In both the world of fandom and beyond, Bueso is already a not-to-be-missed name, he is ‘the man’.» Ricard Ruiz Garzón, El Periódico

Extraños eones by Emilio Bueso